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OK, so full
disclosure (heh) on why my review of these new episodes is a little late by my
standards: I incorrectly assumed the half-hour special intended to close out
the new bomb (allegedly featuring Lapis) was airing on the 9th
April. In actuality it doesn’t come out till the 7th May. I actually
wrote these reviews after watching the four episodes that have come out thus
far without publishing them assuming it’d only be another two weeks until the
next batch of episodes came out, but since I was way off the mark, I figured
I’d put my reviews of the first four out now. When I’ve seen the special, I’ll
be sure to give my thoughts on that.
Anyway,
back on topic. Prior to the new episodes Cartoon Network put out a ‘story so
far’ sort of video talking about the series’ mythos and overarching plot up to
now. (For anyone who’s never seen SU and is curious, I can recommend it, it
sums things up pretty neatly.) I assumed this was just because of the huge
intermittence of episode releases and the fact the last episode showed us Pink
Diamond for the first time, but having seen the new episodes, there was a
reason they did this.
So, let’s
get into them.
*

Your Mother And Mine
This
episode has kinda overshadowed the other three, and for good reason. For fans
who care a lot about the show’s mythos, this is a treat to behold. But
surprisingly, even as someone who’s not that invested in fan theories and cares
more about the character drama, I adored this episode.
Steven
brings Garnet to meet the Off-Colors aboard Lars’s ship, and after greeting
them, she learns none of them know who Rose Quartz really was. She explains it
to them, in a gorgeously realized sequence reminiscent of the rightly beloved
episode The Answer, to try to make them understand what the Crystal Gems fight
for.
The
aforementioned sequence of Rose Quartz’s backstory is not only wonderfully
animated and told in a storybook-like fashion, but also gives us the biggest
insight so far in the series into what Rose did as a rebel against Homeworld
and why she rebelled. It also has some great moments for all the Off-Colors and
Garnet, and comes with a wonderfully sweet message about oppression and perseverance
which seems resonant to the horrible time in world politics we live in.
On top of
that, it’s a little ambiguous whether Garnet is wholly truthful, but either
way, it solves some big questions: if she is, it explains why the conflict
between Bismuth and Rose Quartz arose; if she’s not, it implies the kind of
benevolence Rose was committed to and goes some way to explain the vision from
Jungle Moon.
It’s
memorable, smartly-written (the overtones of Homeworld’s propagandistic nature
are a great touch), and pretty much all the nice aspects of the show blended
together beautifully. I can’t recommend it enough, even- hell, especially- to
people who’ve drifted in and out of watching the show because of the awful
scheduling.
*

The Big Show
Another
quirky little story, this time delving back into the show’s side characters,
The Big Show is almost as good as Your Mother And Mine, at least in my opinion,
albeit in a completely different way and for very different reasons. If Your
Mother And Mine was reminiscent of The Answer, The Big Show reminds me a fair
bit of Last One Out Of Beach City, another personal favourite episode.
Having
formed during the last bomb in the episode Sadie Killer, Sadie Killer And The
Suspects (the band comprising Sadie and the Cool Kids) try to get a
high-profile gig and break out of their basement comfort zone. They take on
Greg as their manager and Steven films the episode as their cameraman for an
early days-style documentary (hence the low-quality camcorder filter over the
screenshot- I didn’t just watch the episode in 240p, it’s meant to be like
this!), tracking the band on the path to their first big show.
I can
definitely understand if people don’t enjoy this episode as much as some of the
others since it’s a lot more focused on characters who are less integral to the
overarching plot, but in my view, giving these characters more depth and
showing their development is still pretty interesting even if it isn’t that
related to the overall storyline of the series. In addition, I like how we get
to see Sadie’s conflict between her friends and family, and the conflicting
desire for independence and to impress those close to you which comes with
growing up and doing new things.
As well as
incorporating a few nice little jokes about the band and some funny moments
from Buck (who’s a character I hadn’t really thought much about before now),
the song from towards the end of the episode, ‘Ghost’, is also great, in my
opinion even better than ‘The Working Dead’, playing neatly into the conflict
built up between Sadie’s wishes and her mother’s as well as just sounding
great.
*

Pool Hopping
I never
thought I’d say this about a Steven
Universe episode in my life, but… to be honest, Pool Hopping reminds me
more than anything of Rick & Morty.
Not that I’m complaining, it’s massively to the episode’s advantage, but I’ll
get to that.
Garnet
decides to incorporate Steven into an idea she wants to try: seeking out the
most improbable events she can to try and gleam more useful information from
her future vision. The two partake in an assortment of crazy stunts around
town, before realizing the fundamental problem with their way of thinking.
I make the
comparison to Rick & Morty
because of the reckless abandon of the first half of the episode. The absurdity
of Garnet’s actions and Steven gradually catching on is a pretty fun dynamic to
watch play out, although by the end of the episode, the dynamic is reversed and
Garnet is the one left wondering what to do.
It’s pretty
funny in places, and in my view gains momentum as it goes; I really wasn’t sold
on it at first, but the premise grew on me and the ending is very strong. Not
to give too much away (especially since it hasn’t aired on TV yet), but it’s
also a fairly clever inversion of the season 1 episode Future Vision, which
originally featured Steven being paralyzed by the abundance of possibility and
choice.
What’s
interesting is, now he’s older and more developed as a character, the show has
become more about him and the Gems working on equal terms than the Gems
mothering him, even though he clearly still respects them a lot. In addition,
seeing Garnet in such a state of confusion is well-handled and communicates the
kind of responsibility she’s always had expected of her and the stress that
comes with it. It’s a neat little episode, especially for people who like
seeing Garnet get screentime.
*

Letters To Lars
The fourth
episode of the new bomb is probably the weakest, although I personally don’t
have a problem with it. It’s a sort of skit-like episode about the human
characters and recent happenings in Beach City, so if that’s not your thing,
fair enough.
Steven
sends Lars a letter through his head detailing a whole bunch of recent
goings-on in town, taking in almost all the recurring human characters and
Crystal Gems in some way (except Connie and Lapis, which sucks since they’re
two of my favourite characters- not that working in Lapis would really work,
admittedly). The main uniting theme, really, is what Mayor Dewey can do since
losing the mayoralty, and the solution is actually fairly common-sense in a
weird sort of way.
It has some
decent gags that I won’t spoil, particularly with Amethyst and Pearl (the
latter having had little screentime for quite a while), the recurring gag of
Mayor Dewey is alright, and although some of the things the townsfolk are up to
are a bit silly, it’s nice to see them get some screentime after a lot of
worldbuilding and main character focused episodes, and I’d certainly prefer one
episode like this to a whole bunch about each set of characters like we’ve
tended to have in previous seasons.
The ending
is also pretty good, and I’m really starting to enjoy seeing Steven and Lars’s
changing relationship since the end of season 4- their dynamic feels more
good-natured, compared to earlier seasons when Lars seemed rather bitter and
resentful in places. On the whole, if you hate the show’s filler you probably
won’t find much to enjoy, but otherwise it has a decent amount to recommend
about it, and the ending is one of the funnier moments in the show lately.
*
Conclusion
While not
exactly the best bomb the show’s ever put out, these four episodes were still
very fun to watch, at least for me. Even if you don’t watch the show consistently,
I can thoroughly recommend Your Mother And Mine- it’s like a distillation of
everything great about the show, and pretty much an 11-minute demonstration
that the claims it’s jumped the shark are hard to defend.
The other three
aren’t quite up to that standard, but I really enjoyed The Big Show, came to
love Pool Hopping by the end, and thought Letters To Lars was decent with some
quite funny moments sprinkled in. They’re not exactly gonna change your mind if
you aren’t sold on the show, but you’ll probably enjoy them a fair bit.
Having said
that, I’m thoroughly hyped for the half-hour special. I feel like in general,
season 5 has been quite a strong one, and if the special is up to the standards
of recent episodes, I think we could be in for a treat.
(I’m just hoping I
haven’t jinxed it by saying that…)
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